Visualogie

Visualogie is an independent boutique visual-effects studio founded in Rome in 2004 by visual effects producer Paola Trisoglio and VFX supervisor Stefano Marinoni. Working across Italian and international film, television drama, streaming productions and miniseries, the studio develops effects designed to support narrative, performance and a director’s visual language.

Its work spans the production lifecycle, from script breakdowns, technical planning and VFX budgeting through on-set and post-production supervision. Visualogie’s artists deliver digital compositing, CGI integration, look development, matte painting, invisible effects, cleanup and retouching, as well as digital set extensions and crowd replication.

Craft and pipeline

The studio combines 2D and 3D workflows for character, creature and environment work, including modelling, lighting and rendering. Its reported toolset includes Foundry Nuke for compositing and Houdini, Redshift and Karma for CGI production. The company’s boutique model places its founding partners close to project supervision and client collaboration.

Selected work

Visualogie’s screen credits include La vita va così, La vita accanto, Io e te dobbiamo parlare, Santocielo, Grazie ragazzi, Il primo giorno della mia vita, Fiori sopra l'inferno: I casi di Teresa Battaglia, Il nome della Rosa, Gomorra - La serie, Suburra, Il ragazzo invisibile, Educazione Siberiana, Romanzo di una strage, This Must Be the Place, Vincere and La ragazza del lago.

The studio has received recognition for its visual-effects work, including David di Donatello awards for La ragazza del lago, Vincere, Romanzo di una strage and Il ragazzo invisibile. Its work on Riccardo Milani’s La vita va così was shortlisted for Best Visual Effects at the 2026 David di Donatello Awards.