Revolution Film

Revolution Film is a Russian film and television production company based in Moscow. Its work spans the development, financing, production and co-production of theatrical features, episodic television and commercial screen content. Its feature-film portfolio includes mainstream comedies, science-fiction dramas, sports stories and supernatural thrillers.

The business traces its origins to an independent production company established in 1998. A restructuring and rebrand in 2013 established Revolution Film under its current legal identity. Its production activities combine creative development with the practical organization of filmmaking, supporting projects from their initial scripts through post-production.

Development and production

The company's capabilities include script acquisition, coverage and development, creative direction, screenwriting and full-cycle line production. It also provides production services and facilitates co-productions in Russia and international locations. Its commercial work encompasses project packaging and relationships with theatrical, television and streaming distribution markets.

Selected productions

The studio's comedy work includes Mistresses (2019) and Lovers (2022), both directed by Elena Hazanova. Its broader genre output includes the sports comedy Nonfootball, also known as Girls Got Game, and the supernatural thriller Run (2020), directed by Andrey Zagidullin.

Revolution Film co-produced Petropolis (2022), a science-fiction drama directed by Valery Fokin, alongside Interfest. Its credits also include Aleksei German Jr.'s Under Electric Clouds (2015), co-produced with Propeller Production. Together, these projects illustrate a production slate extending from popular comedy to director-led drama and speculative fiction.

International co-production forms part of the company's production background and commercial offering. Its activities encompass both the development of its own film projects and collaboration with other producers, with work intended for domestic audiences and international distribution.