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ORAGE Studio

VFX & Post-Production
Open roles
0
Founded
2021
Employees
1-10
Offices
1

About ORAGE Studio

ORAGE Studio is a Paris-based creative post-production and visual-effects studio working across VFX, 3D animation, motion design, editorial, colour finishing and delivery. Founded in 2021, the independent studio combines technical post-production supervision with cinematic visual design for advertising, music, entertainment and digital-content projects.

Its work spans the full post-production chain, from media ingest, proxy workflows and offline/online editing through compositing, tracking, CGI asset integration, colour science and mastering. The team uses tools including Adobe Premiere Pro, After Effects, Nuke and DaVinci Resolve to support projects from early editorial development through final packaging, versioning and delivery.

Creative capabilities

  • VFX and compositing: 2D/3D tracking, clean-up, beauty work and complex shot integration
  • 3D and motion: modelling, lighting, rendering, character and environmental CGI, graphic animation and title sequences
  • Colour and finishing: conforming, LUT workflows, colour grading and master finishing
  • Editorial and delivery: ingest, editing, audio synchronisation, subtitles, multi-ratio versions and master exports

ORAGE has contributed to commercial campaigns for brands including Adidas, Lacoste x Alpine, Stone Island, Volkswagen, Decathlon, McDonald's, Puma and Samsung. Its music and entertainment work includes projects associated with J. Cole, Dinos, Eddy de Pretto, Martin Solveig, Lomepal, G-Eazy, Netflix, Gentlemates, GP Explorer and Inoxtag.

The studio operates from a purpose-designed Paris production space with editing suites, colour-grading rooms and VFX/3D workstations. Its team of founding partner-operators and production collaborators supports projects across luxury, fashion, automotive, sports, consumer goods, music-video and digital-entertainment markets.

More about ORAGE Studio

Team and origins

ORAGE was founded by graduates of French creative schools CinéCréatis Nantes—Lola Bellini, Louis de Rolland, Flavio Fernandes and Léo Metayer—and ESMA graduate Raphaël Audureau. Bellini serves as Head of Production and Post-Producer; de Rolland, Fernandes, Metayer and Audureau work as post-production supervisors and lead 3D/VFX artists on project pipelines.

Operating model

The studio describes a team of 10 people, with founding partner-operators supplemented by freelance and intermittent talent according to production needs. In 2025, it worked with commercial real-estate brokerage Spliit on a custom-designed open-plan production environment to support its growth.

Notable credits

8 credits
  • Adidas: Choose One
  • Lacoste x Alpine: Alpine A290 Rallye
  • Stone Island: 40th Anniversary Campaign
  • Volkswagen: On n'a rien inventé
  • J. Cole: The Fall-Off is Inevitable
  • Netflix: Squid Game Promo Campaign
  • Gentlemates: Gentlemates Adventures
  • GP Explorer: The Last Race Teaser

Offices

Where ORAGE Studio is based

1 location
  • Paris offices

    Headquarters
    Paris, Île-de-France, France
    About this office

    **Paris Creative Production Studio** Status: active Address: 69 Rue de la Fontaine au Roi, 75011 Paris Phone: +33 6 34 75 71 42 Primary direct operational studio; a 300 m² open-plan production facility with editing suites, DaVinci Resolve colour-grading rooms, and VFX/3D workstations. --- **Paris Registered Corporate Head Office** Status: active Headquarters Address: 229 Rue Saint-Honoré, 75001 Paris Registered corporate head office (siège social), effective November 21, 2025. --- **Office** Status: inactive / historical Address: 16 Rue Meslay, 75003 Paris Opened: 2021 Closed: 2022 Historical registered establishment. --- **Office** Status: inactive / historical Address: 40 Rue du Château d'Eau, 75010 Paris Opened: 2022 Closed: 2023 Historical registered establishment. --- **Office** Status: inactive / historical Address: 16 Rue du Faubourg Montmartre, 75009 Paris Opened: 2023 Closed: 2025 Historical registered establishment.

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