Lola Visual Effects
- Open roles
- 0
- Founded
- 2004
- Employees
- 51-200
- Offices
- 2
About Lola Visual Effects
Lola Visual Effects is an American visual effects studio specializing in digital cosmetic enhancement and character-driven effects for feature films and high-end television. Founded in January 2004, the company focuses on changes to actors’ on-screen appearances, including de-aging, age advancement, facial replacements, digital doubles and physical transformations. Its work emphasizes photorealistic integration while preserving the expression and nuance of the original performance.
The studio’s capabilities extend from subtle skin refinement and cosmetic cleanup to substantial changes in a character’s age, physique or likeness. Facial and head replacement, prosthetics augmentation, character enhancement and seamless compositing support this work. Production services span previs, techvis and look development through final shot delivery, with high-resolution data and media management supporting the production process. Alongside film and episodic productions, the company serves commercial advertising and special projects.
Character transformations on screen
Lola’s work on The Curious Case of Benjamin Button included digitally making Brad Pitt appear younger. For The Social Network, the studio used digital head replacement and compositing to depict Armie Hammer as both Winklevoss twins. In Captain America: The First Avenger, its body modification work helped create the frail, pre-serum appearance of Steve Rogers.
Its continuing work with Marvel Studios includes de-aging Michael Douglas in Ant-Man, developing Vision’s appearance in Avengers: Age of Ultron, making Robert Downey Jr. appear younger in Captain America: Civil War, and aging Chris Evans for Avengers: Endgame. These projects illustrate the studio’s use of visual effects to support character continuity across different ages and physical appearances.
Television work includes Luke Skywalker’s likeness in The Mandalorian and Anakin Skywalker’s younger appearance in Ahsoka. Other reported projects include Barbie, Guardians of the Galaxy Vol. 3, Atlas and Young Woman and the Sea.
The company operates an integrated production pipeline across Los Angeles and London, bringing its artists together on character transformations and invisible effects for film and television.
More about Lola Visual Effects
Founders and leadership
- Edson Williams and Thomas Nittmann co-founded the studio. The report identifies Williams as Managing Partner and VFX Supervisor, and Nittmann as Executive Producer.
- Other named production leaders include VFX Supervisor Trent Claus and VFX Producer Allison Paul.
- For the UK operating subsidiary, Matthew Howard Unwin was appointed director on January 1, 2026, and Carlos Alex Moreno was appointed secretary on January 16, 2026. Nittmann resigned as a UK director on January 1, 2023.
Production technology
The studio’s early digital cosmetic workflows used Autodesk Flame to alter human features while retaining the actor’s performance. In 2024, Lola integrated the VAST Data Platform to support deep-learning neural rendering, high-throughput facial playback and real-time collaboration between its studios.
Notable credits
17 creditsOffices
Where Lola Visual Effects is based
- 10435 Santa Monica Blvd, Floor 2, Los Angeles, CA 90025, United StatesLos Angeles, California, United States
Los Angeles office
HeadquartersGlobal headquarters and primary executive, creative and administrative office.
- Castle House, 75-76 Wells Street, 1st Floor South, London W1T 3QH, United KingdomLondon, England, United Kingdom
London office
International studio branch operated through LOLA VFX US LIMITED.
Open roles
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