Back to all studios
IH2

Irving Harvey

VFX & Post-Production
Open roles
0
Founded
2012
Employees
1-10
Offices
1

About Irving Harvey

Irving Harvey was an independent New York City post-production studio specializing in color grading and finishing. Founded in 2012 by colorist and creative technologist Samuel Gursky, it served independent filmmakers, documentary teams, commercial productions, and music video creators. Gursky led the business alongside colorist and partner Matthew Greenberg. The studio permanently closed in 2024 after twelve years of operation.

Its work combined creative color correction with the technical preparation needed to take projects from camera originals through final delivery. Services included online editorial, conforms, digital intermediate mastering, archival restoration, dailies processing, and quality control. The team also advised filmmakers on on-set workflows, sound synchronization, proxy generation, and the management of footage across production and post-production.

Color and finishing

The studio worked with both contemporary digital material and archival footage, addressing differences in camera formats, image quality, and color response. Its documentary workflows included de-noising, stabilization, and matching material from different periods and sources. Finishing capabilities covered theatrical, broadcast, and festival deliverables, including digital cinema packages and subtitle and credit placement.

Client-supervised grading was central to its operating approach. Its facility contained two dedicated grading suites, supported by conform and render stations and centralized storage. Remote collaboration extended this approach to productions whose filmmakers and post-production contributors worked in different places.

Independent production

Irving Harvey contributed to narrative features and documentaries presented at festivals including Sundance, Tribeca, and SXSW. Its work encompassed intimate independent productions, archival documentaries, branded content, and technically unusual music videos. Across these formats, the studio combined hands-on collaboration with workflow planning, helping directors and cinematographers maintain a consistent visual treatment through the finishing process.

More about Irving Harvey

Technical development

  • In 2012, the studio adopted DIT Station Rogue systems for on-set data workflows.
  • Its team developed custom ACES color transforms and used DaVinci Resolve Studio for remote grading and workflow automation.
  • Matthew Greenberg documented thermal-camera engineering and metering methods in a technical article about the production of Route 94's “My Love.”

Education and filmmaker support

  • Samuel Gursky discussed decentralized post-production and the “Fellowship At” independent post-production educational initiative in an industry interview.
  • The studio supported filmmakers through the Rooftop Films and Irving Harvey Color Correction Grant, whose recipients included The Last Out and Light Needs.

Historical team

  • Personnel also included colorist Jeffrey Chance and post-production coordinator Madeline O'Brien. These are historical roles; the studio has no current operating leadership.

Notable credits

13 credits
  • Native Son
  • Shiva Baby
  • The Exiles
  • All the Streets Are Silent
  • Not Going Quietly
  • Tendaberry
  • Rest Stop
  • The Rainbow Bridge
  • The Last Out — color correction grant support
  • Route 94: My Love
  • MAURICE: 3 Songs
  • CNN: Family Meal NYC
  • Mike Morgan for Governor: Hard Steps

Offices

Where Irving Harvey is based

1 location
  • New York office

    New York, United States

Open roles

Find your next role at Irving Harvey

No open roles right now

Check back for new opportunities at Irving Harvey.

Visit studio website