Greenhaus Studios

Greenhaus Studios is an American motion design, title design and visual effects production company serving feature films, streaming programmes, broadcast television and commercial advertising. Founded in 2008 and historically known as greenhaus GFX, the studio combines design and animation with live-action finishing and an expanding AI film production practice.

Its work spans the visual elements that introduce, conclude and promote screen productions: main titles, main-on-end credit sequences, trailer typography, teaser graphics and animated logos. Projects bring together concept development, art direction, typography, editorial graphics and 2D or 3D animation. Its visual effects services include digital compositing, 3D modelling, green screen integration and finishing, supporting both standalone sequences and broader production assignments.

Titles for film and television

The studio’s feature-film work includes the main-on-end sequence for Wonder Woman, the end titles for Fury and opening titles for Halloween. Its portfolio also includes international main-title work for Doctor Strange, sequences for the Teenage Mutant Ninja Turtles films and title work across horror productions including The Invisible Man, Happy Death Day and the Insidious series.

Television and streaming projects extend that practice into documentary, drama and comedy. The studio has produced title and motion design for programmes including Dr. Death, Daughters of the Cult, Miracle Workers, The Magicians and David Makes Man. Its commercial offering also covers creative direction, theatrical trailers and brand campaigns.

An evolving creative practice

Originally operating from Culver City, the company later moved its core creative studio to Park City while maintaining a production presence in Hollywood. It adopted the Greenhaus Studios name as its work expanded beyond its established motion graphics identity.

Alongside traditional design and post-production, the studio now offers generative AI-augmented filmmaking and commercial production. Its practice also includes fine art, connecting its screen-based production work with a separate visual art discipline.