DLP Paris
- Open roles
- 0
- Founded
- 2007
- Employees
- 1-10
- Offices
- 1
About DLP Paris
DLP Paris is a Paris-based studio working across digital post-production, visual effects and 3D animation. Founded in 2007, it brings together commercial production and finishing capabilities for advertising, films, television, documentaries and music videos. Its work spans luxury, beauty, fragrance, fashion and automotive campaigns, alongside character animation and animated short films.
The studio takes projects from initial visual conception and creative direction through live-action shoot direction, animation, compositing and final delivery. This scope connects the development of an image with the technical work needed to complete it, whether the result is a photorealistic product shot, an animated character or effects integrated into live-action footage.
Animation, effects and finishing
Its animation capabilities include modeling, rigging, texturing, shading and character performance. For visual effects, the studio provides tracking, rotoscopy, simulation, compositing and photorealistic CG environments. Motion graphics, title design and broadcast idents extend its work into graphic and television formats.
Beauty and product imagery form another substantial part of its practice. Services include retouching, color grading, CGI product rendering and packshot post-production for cosmetics, fragrance and luxury advertising. Conforming, online editing, finishing and mastering complete the production process.
Commercial and film work
The studio’s commercial portfolio includes work for Dior, Yves Saint Laurent, Lancôme, Cartier, Guerlain, L’Occitane, Renault and Hyundai. Its contributions range from look development and 3D animation to beauty finishing and digital effects. Character-based advertising includes animation and fur development for Feu Vert’s feline mascot, Ramsès.
Beyond advertising, DLP Paris has contributed to animated shorts through production, post-production and technical support. These projects include Dip N’ Dance, Space Cat Hob and Continuum, demonstrating work across character-led animation, science fiction and experimental dance imagery. Its wider output also includes documentary creature work and commercial campaigns combining live-action photography with digital characters and environments.
More about DLP Paris
Founders and leadership
Founded by Cédric Choppin, Federico Costa and Pascal Chinarro, the studio remained under its original founding leadership as of October 2026. Choppin is identified as Partner, Director and Post-Producer; Costa as Partner, Art Director and Producer; and Chinarro as Partner. Nathésias Dellevi is Financial Manager.
Operating model
The company describes itself as a boutique atelier built around close collaboration with agencies, brand directors and production houses. A compact permanent team scales with specialist freelance animators, VFX artists and compositors according to project needs.
International collaboration
The affiliated Bangkok operation draws on the Paris studio’s technical and creative pipeline, connecting that production support with dedicated local executive producers and Southeast Asian production demand.
Notable credits
20 creditsOffices
Where DLP Paris is based
- Paris, Île-de-France, France
Paris offices
HeadquartersAbout this office
**Office** Status: active Headquarters Address: 72 Rue d'Hauteville, 75010 Paris, France Email: job@dlpparis.com Phone: +33 1 44 82 65 62 Office webpage: https://dlpparis.com/contact/ Opened: 2013 Current overall headquarters, creative atelier, animation workstations and digital post-production suite; headquarters transferred here on December 27, 2013. --- **Office** Status: inactive / historical Address: 23 Rue des Jeuneurs, 75002 Paris, France Opened: 2008 Closed: 2013 Former registered office, established March 1, 2008 and permanently closed December 27, 2013. --- **Office** Status: inactive / historical Address: 24 Rue Vieille du Temple, 75004 Paris, France Opened: 2007 Closed: 2009 Initial registered seat; closed January 1, 2009.
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