Copenhagen Visual

Copenhagen Visual is an independent Danish visual effects, digital animation and post-production studio based in central Copenhagen. Founded in 2019, it works across feature films, episodic television, commercials and music videos, serving international productions alongside Nordic and European cinema. Its work combines visual development, production support, digital effects and finishing.

The studio’s services begin with concept art, character development, animatics, research and technical shoot planning. On-set VFX supervisors collaborate with directors and cinematographers, supporting shoot data capture and second-unit plate acquisition. Its digital production capabilities include photorealistic computer graphics, creature and character work, environment extensions, simulations, complex compositing and cleanup.

Film and episodic work

Feature-film projects include Ruben Östlund’s Triangle of Sadness, Nikolaj Arcel’s The Promised Land, Anders Thomas Jensen’s Riders of Justice and Roar Uthaug’s Netflix monster film Troll. For Troll, the studio delivered more than fifty complex creature and destruction shots, including work on the forest encounter and highway invasion sequences, as well as promotional poster artwork.

Its episodic work includes Those Who Kill, Netflix’s Baby Fever and TV 2’s Dansegarderoben. These productions reflect a practice spanning visual effects and colour finishing, with additional television work including Lover and Noget om Emma.

Finishing and commercial production

Copenhagen Visual provides digital colour grading, conforming, online editing and mastering, with facilities for reviewing and screening feature-film work. These capabilities complement its visual effects services across film, television and advertising.

Commercial projects include campaigns for Balenciaga, EPOS, Budweiser, IWC Schaffhausen, New Balance, Citroën and Toyota. Its portfolio also extends to music videos, including Zara Larsson’s Blue Moon. The studio collaborates with agencies, directors and production teams, while its wider operating model supports cross-border production across Scandinavia and northern Europe.